Rhythm
"The
visual movement achieved in design by repetition, graduation, variation
or radiation. Motion and rest sustain interest in design." from 'Flair'
published by FASNZ.
Rhythm
is achieved in a design if you have managed to move the viewers focus from
one point to another. This can be done , as the definition states, by graduation.
Graduation is achieved when you grade the flowers from the smallest at
the edges of the arrangement and the larger flowers are at the bottom or
in the area of prominance.You can also grade the colours in a design with
strong colours at the focal area and lighter colours further out. In this
way the viewers focus moves from the stronger colours to the weaker ones.
Contrast
is the basis of all good floral design and this is true too with rhythm,
as the eye needs to rest for a while on a design, before it takes off again
following another path you have set for it. Therefore you need to also
create calm spots and this can be achieved with round forms or flat
smooth leaves.
Line
material such as reeds, rope, branches, twigs, grasses, and ribbon
can also create rhythm. As Poppy's design on the right shows, repeating
several line forms with variation has created strong visual movement.
Several
curves lines have a strong rhythm. If all lines are the same, regular rhythm
can be created by shortening or lengthening some of the material. |
a |
Poppy Fuller of Kerikeri
New Zealand designed this whirl of visual movement and rhythm called
"The Twister" for the Northland Designer of the Year 2001.

Poppy used lichen, dried
reeds, feathers, honesty seeds, red and green New Zealand Flax, stripped
willow bark, copperwire and strips of gum bark wound around a metal frame
to create the effect.It is a wonderfully free example of movement and rhythm
created by repetition and variation. She
used variable rhythm when the same type of line is used but they
vary in shape and length |