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The Principles and Elements of great design in floral art and flower arranging is finally now available in an exclusive CD, " Principles and Elements in Floral Design" with Ngaire Clarke. Try a lesson on each element and principle with a floral project to try, read more here. The feature illustrated here is balance

today's design principle
Balance
"The actual and visual stability in a design. Symmetrical balance uses equal amounts of colour and form on either side of the central axis. Asymmetrical balance uses dissimilar amounts and placements to achieve visual balance." from 'Flair' published by FASNZ.

There are two types of balance: The actual  physical balance so the design doesn't fall over, and the visual balance, where the viewer sees the design as being pleasing to the eye, and visually  the plant material is equal on both sides of imaginary line down the middle of a design.

This can be achieved with symmetry with similar forms on both sides of the imaginary line, or asymmetrically, where dissimilar forms are on either side.

If you look at the design on the right, you will see colour balance between the two placements, space balance as the two driftwood pieces enclose the space between the hanging and floor placements,  weight balance as the bigger piece of driftwood at the bottom,  is visually balanced by the height of the top arrangement counteracting its bulk. Jill had to achieve actual balance with the hanging arrangement so it floated in the position she wanted.

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Jill Ruddell of Whangarei, New Zealand  designed this beautifully balanced arrangement for the Designer of the Year 2001.

She used 2 placements, one on the floor and the other hanging above it. Conifer, bergenia leaves, leucospernums, strelitzia, shredded flax, and driftwood were the plant materials she used.
 
 
 

This beautifully balanced piece by Inez of Russell, New Zealand, used symmetrical balance, with  the same plant material on both sides. Set diagonally for interest, Inez used a bamboo and lichen  cylinder, with leucospernums and dried strelitzia leaves featured.
Colour balance is also achieved with the green of the long leaves being carried down to the green moss surrounding the base, and the lichen carrying through the colour of the centre of the leucospernums.
Inez also had to achieve actual balance so this arrangement was stable.

Try it yourself! Go to the lesson here
The triangle design style favoured in traditional floral arrangements and often seen in wedding and church flower arrangements uses strong symmetrical balance. The lines radiate from a central point in the middle of the design and each side is a mirror of the other. The focal point is always in the middle, with the larger flowers.

In the design on the right, from the book Wedding Flowers, the candles add the height and the ribbon the depth, with identical trails of ivy adding to the impact of the window sill location.


With  60 arrangements using tradtional styles and designs this is the book if you are wanting ideas for elegant and stylish floral decoration. More...
This is the work of Michelle Skelton. Michelle  achieves balance with an abstract design, which has none of the traditional  rules of the design above.Balance here does not have to radiate from an imaginery middle line, and it is dynamic.Geometric shapes are used but within the whole.Michelle has achieved colour balance with the orange slab and ball, balance of shape with the circular forms, and visual balance.