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Carol Rains
is the workshop tutor, and she is a well respected New Zealand designer,
tutor and demonstrator .
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The
Advanced Guide to Floristry
by
Rosemary Batho,
This is the book that inspired
this months' tutor Carol Rains and this workshop. Just one photo
was all it took and look at all the results when others also took up the
challenge!
Click
here to buy in USA, the Americas and the Pacific with Amazon.
Click
here for Europe, UK, and Africa
Floralartmall.com
33 McDonnell Street
Omokoroa 3021
New Zealand
Phone +64 7 548 2866
Fax +64 7 548 2868
info@floralartmall.com
All prices are in US dollars
unless otherwise stated
floralartmall.com and all
its trusted partners have a comprehensive refund policy.
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A floral art workshop taking the
lines of nature to create textured forms on forms is the basis of this
free lesson.
Ideas and techniques for flower arrangers, florists, floral artists and
beginners can come to you every month with floral design magazine. More details here 
"I
want you to accentuate the wood and play with textures and patterns.
Tuft plant material in the crevices and run along with the rhythm of the
wood. When you use things repeat the colour in some shape or form to create
unity in the design, following the curves of the wood. Anything you use
try to intergrate together with the other parts
I
was inspired by a photo in The
Art of Floristry by Rosemary Batho." Carol said at the workshop.
Form on Form
Mechanics:
Find
an interesting piece of wood, either as driftwood from the beach, or tree
root, or piece of a branch. Size should be related to where you are
going to put your design when you finish it... smaller piece in smaller
room, larger peice in larger area. Sit the wood so it is stable on the
surface, sawing off pieces if necessary to get a flat base.
Mechanics
then depend on your choice of wood. You will need cages or floral foam
if there are holes in your piece of wood where you can place these.
Plant
Material:
Choose
materials that will be grouped for effect.
Suggestions
include, berries, nuts, seedheads, vegetables, coloured leaves, coloured
wool, string, wire, rope, shells, conifer. holly berries strung on copper
wire, beans, lichen, chestnut shells, rolled copper wire, lotus seed pods.
Be
selective as less is best.
If
you wish to have a permanent design use dried materials rather than fresh
Choose
material that will give you unity through colour.
The
design:
Cutting
your plant material short, follow the line of the wood textures in rows.
running along the rhythm of the wood.Glue in place.
Add
a feeling of space and height with wire etc over the design and create
interest with textural variety as you go. As you use material repeat its
colour in another shape or form to create unity in your design. |
FROM THE WORKSHOP
Raewyn Harrison selected
a chunky tree root to build her design, right, with a colour scheme of
orange and blue.She wrapped old orange rope around the root, nailed it
in place and added blue dried hydrangea flower heads, attaching then with
hot glue.Whole and cut persimmons trailed down one side and dark green
leaves added height. |
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In
this design by Margaret Wrack and Ngaire Carmen,left, they layered three
pieces of wood and nailed them together. They then followed the lines of
the wood with baby pumpkins and gourds, and lichen hot glued into place.
To give height and space they added rolled up copper wire, chilli seed
pods, and banana stalks. |
| Enid, right,found a flatter
piece of wood with raised ends and used orange and lime green as her main
colours. Cut squash and orance fleece create the main interest and
then she followed the wood lines with twisted raw silk, brussel sprouts
artificial grapes and blue dryed and dyed fungus in the design above. Lime
green leaves completed her design. |
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June W built her design,
left , on a piece of bleached driftwood, picked up a her local beach.She
hot glued on a twig with lichen on it, for height, and used swan plant
seed pods, lime green chrysanthemums, red berries threaded on copper wire,
and red gerberas, in her green and red colour scheme.Two leaves "sheltered"
the design and added space, and balance. |
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Margaret B built her
design, right, from wood and bark, layered on top of each other.She then
added yellow gourds, banana stalks, lichen and chilli pods to complete
a design that held the viewers interest well.
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This design, left,used pale
blues, soft oranges and grey as the colour scheme. Barbed wire created
a sense of space, with lines of paua (abalone) shells, and cut seed pods
of bottle brush complementing the green leaves |
| USA and Canada only,
NTSC format |
USA and Canada only,
NTSC format |
Suitable for all countries
using PAL, not USA or Canada |
House
Beautiful: Decorating with Flowers
(1992)This excellent 70-minute video guides you through a garden's worth
of flowers, pointing out names and demonstrating how they can be displayed.
Reynolds, while a little stilted in his delivery, is incredibly informative
as he takes us to a variety of houses to see how flower arrangements can
change a room.NTSC format (US and Canada only) Click
here to buy |
Lasting
Beauty:The Art of Dry Flower (1995)
A professional floral
designer and an enthusiastic beginner each make three simple but
lovely dry flower arrangements. In the course of their work, they give
tips on everything from using a glue gun to creating a balanced and appealing
design with dry flowers.
NTSC format
(US and Canada only) Click
here to buy |
Arranging Spring Flowers
Sheila Holland shows you
how to create beautiful arrangements for your home using Spring flowers
and foliage.
PAL format (not
suitable for USA or Canada)Click
here to buy |
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