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Joan Jurisch
lives in Kerikeri, in the Far North of New Zealand.
She belongs to the Kerikeri
Floral Art Group.
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Flax leaves! Twist them, circle
them, make them into arrow heads, try a simple table arrangement with just
flax in all its colours. Find more ideas and techniques for flower arrangers,
florists, floral artists and beginners each month in floral design magazine, here
Gather
a collection of coloured flaxes, all sizes and widths and a small amount
of flower material, in this case, euphorbia.

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"Prepare
your rolled flax leaves first," Joan suggests as she normally sits and
does all she needs before she starts a design. To roll the flax take
a piece and stroke it several times in the palm of your hand. This warms
it up so it will roll smoothly.Then trim the top to a point to remove any
untidy tops,and make it look neater. Cut the bottom of the stem into
an arrow shape
leaving
the hard centre of the flax only which will eventually to go into the floral
foam.
Now
roll the flax around your hand, once or twice, and you will find you have
a rolled flax piece."The quicker you do it the better," Joan says, "and
then holding the roll with your thumb, staple the roll back onto
itself. Try to put the staple deep into the roll so you won't see it in
your design" |
For
the base of the design, glue two mirror tiles together, and attach wetted
floral foam in a cage or netting to one of the corners of the tile, with
oasis fix or tape.Check it is held firmly.
Cover
the foam with green moss and then start adding the rolls of flax.
"Make
the rolls happy," says Joan, and put them in the foam turning upwards.Add
in the big green ones, then the other colours, varying the sizes
and widths to add interest.Some of the rolls will be too long, so recut
the ends and save these pointed lengths to add to your design. |
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Now
add the euphorbia in the gaps, and tuck them into the base of the design.Add
two long lengths of unrolled fax into the top to give the design
height.
Joan's
tip is to wipe a small amount of oil or milk on the dull side of the flax
to bring the colour out,. However don't make it too shiny as the viewer's
eye will always go to the shiny plant material first and this will spoil
the overall effect.
"You
can adapt this design for a wedding very easily by adding white or yellow
roses to a green and golden yellow flax design.
Add
red roses to a design made with pink and green flaxes" Joan suggests. |
| The
Floral Artist's Guide: A Reference to Cut Flowers and Foliages
by Pat Diehl Scace
This comprehensive resource
serves as a pictorial guide to over 500 different types of cut flowers,foliage,
and dried materials for all levels of floral designers. It offers a complete
guide to the botanical and common names, pronunciation, family name and
related flowers, colors and availability, and the unique properties of
each flower. This valuable guide includes information from
such sources as the
Holland Flower Council, California Cut Flower Commission, and the Society
of American Florists. This beautiful full-color flower guide will inspire
creativity in all designers who use flowers as a medium. More... |
Leafing
Through Flowers by Daniel Ost
In
this exquisitely photographed volume of cutting edge floral design, decorator
and Dutch flower shop owner Daniel Ost's shows his innovative floral and
leaf/branch/twig sculptures, in greens, browns and multi-colored
flora. He attempts to bring us into a totally new realm of plants and flowers
as art and architecture. The narrative is written in three languages
The photography demands that the reader extend his or her senses
to try to understand how articles formerly animate could possibly be intertwined
into seemingly brand new, even shockingly nouveau, inanimate statements
of artistic freedom:
More.... |
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