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Joan Jurisch  lives in Kerikeri, in the Far North of New Zealand.
She belongs to the Kerikeri Floral Art Group.
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Flax leaves! Twist them, circle them, make them into arrow heads, try a simple table arrangement with just flax in all its colours.  Find more ideas and techniques for flower arrangers, florists, floral artists and beginners each month in floral design magazine, here

Gather a collection of coloured flaxes, all sizes and widths and a small amount of flower material, in this case, euphorbia. 

"Prepare your rolled flax leaves first," Joan suggests as she normally sits and does all she needs before she starts a design. To roll the flax  take a piece and stroke it several times in the palm of your hand. This warms it up so it will roll smoothly.Then trim the top to a point to remove any untidy tops,and make it look neater.  Cut the bottom of the stem into an arrow shape

leaving the hard centre of the flax only which will eventually to go into the floral foam.
Now roll the flax around your hand, once or twice, and you will find you have a rolled flax piece."The quicker you do it the better," Joan says, "and then holding the roll with your thumb, staple the roll back onto  itself. Try to put the staple deep into the roll so you won't see it in your design"

For the base of the design, glue two mirror tiles together, and attach wetted floral foam in a cage or netting to one of the corners of the tile, with oasis fix or tape.Check it is held firmly.
Cover the foam with green moss and then start adding the rolls of flax.
"Make the rolls happy," says Joan, and put them in the foam turning upwards.Add in the big green ones, then the other colours, varying the  sizes and widths to add interest.Some of the rolls will be too long, so recut the ends and save these  pointed lengths to add to your design.
  • .
  • Now add the euphorbia in the gaps, and tuck them into the base of the design.Add two  long lengths of unrolled fax into the top to give the design height.

    Joan's tip is to wipe a small amount of oil or milk on the dull side of the flax to bring the colour out,. However don't make it too shiny as the viewer's eye will always go to the shiny plant material first and this will spoil the overall effect.

    "You can adapt this design for a wedding very easily by adding white or yellow roses to a green and golden yellow flax design.
    Add red roses to a design made with pink and green flaxes" Joan suggests.


    Chris Hodge from Paihia attended Joan's workshop and then produced this lovely design.The theme was "Totally Wild" and featured huge black spiders, a web and rolled, plaited, and spiked flax, set on a driftwood base.She selected red, yellow, brown and green flax with yellow flax flowers tucked in to the rolls.
    Chris's business, Flaxability, is designing  flax creations, see left.

    The Floral Artist's Guide: A Reference to Cut  Flowers and Foliages  by Pat Diehl Scace

    This comprehensive resource serves as a pictorial guide to over 500 different types of cut flowers,foliage, and dried materials for all levels of floral designers. It offers a complete guide to the botanical and common names, pronunciation, family name and related flowers, colors and availability, and the unique properties of each flower. This valuable guide includes information from
     such sources as the Holland Flower Council, California Cut Flower Commission, and the Society of American Florists. This beautiful full-color flower guide will inspire creativity in all designers who use flowers as a medium. 
    More...

    Leafing Through Flowers by Daniel Ost
    In this exquisitely photographed volume of cutting edge floral design, decorator and Dutch flower shop owner Daniel Ost's shows his innovative floral and leaf/branch/twig sculptures, in greens,  browns and multi-colored flora. He attempts to bring us into a totally new realm of plants and flowers as  art and architecture. The narrative is written in three languages  The photography demands that the reader extend his or her senses  to try to understand how articles formerly animate could possibly be intertwined into seemingly  brand new, even shockingly nouveau, inanimate statements of artistic freedom:
    More....