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Your tutor Geraldine Bathhurst
Geraldine Bathhurst
is a talented and very well respected New Zealand
demonstrator, teacher and designer of Floral
Art
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Horizontal design with Asymmetrical
Balance
Geraldine's workshop
design She used a dark container, with pink carnations,
dark flax twigs, green/yellow flax, rolled aspihistra and and
a heavy hairy vine. It is a design with the emphasis
on strong horizontal lines, often parallel placemants
giving a layering effect as opposed to the elongated design in
a long, low trough container with emphasis on vertical and
taller bunched stems.

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Horizontal designs can be constructed on a large pot,
preferably without handles as these tend to clutter the line.
A low trough or low bowl of any shape, a base of interwoven
natural twigs or tangle of vine, driftwood, two pots of
varying height for split level, or two pots of the same
height. There are many other ideas you can start
with. For this design choose a bold, shallow round container
approximately 26cm (10") diameter or larger, Select a pot that
will blend well with your final design. You also need a large pinholder,
floral foam fix or plasticine,green floral foam at least one block
that must come over the container, and large heavy wire U
bends to hold the sticks down and wire cutters.A well equipped
floral art box is essential. Your mechanics are really important so take your time
so your base is not wobbly, use new floral foam and build a solid
foundation for your design
Secure your pin holder to the
base of the dish with floral foam fix or plasticine.After warming it
in your hand, make the fix into a thin worm and circle it
around the base of the pin holder.Press it firmly into the
centre of the dish. Soak the green floral foam in water until it
sinks, trim it to fit into your container and then press it
down gently onto the pin holder. Make sure it sits firmly,
about 2 cms (1") above the rim of the dish. Cut your wire into
15x12cm (5") lengths and bend it into U
shapes |
Plant
Material: 10 flax flower sticks or similar, approximately thumb
thickness 6-7 flax leaves (More on arranging with flax HERE)
6 medium aspidistra
leaves moss vine for rhythm Some larger flowers and some buds
Roses, carnations, or zinnias or
dahlias or other round form.The softer cookium flax species are
recommended for this design, rather than tenex, which is a
large, hard variety, less easy to roll and manipulate. To make
flax more flexible, warm it in your hand, stroking it into the
direction you wish it to go.It will become more maliable and
you will be able to then curve it in a smooth sweeping
loop. |
The
design Cut your flax sticks so they are in proportion to your
container. An estimate is ¼ over one side, ¼ is the container
width, and ½ out the other side. Look at the designs and you
will see the proportions others used.Lay these sticks down
over the container and secure with the wire U pins you made.
These will go right through flax flower sticks, but if you are
using other twigs, they may have to go over the top and into
the floral foam. Use about 3 pins per stick.You may not need to use
all of the twigs and cut them on an angle so that the cut is
underneath the twigs when you lay them along the
floral foam
Put a small amount of cooking oil
on a cloth and oil the asphidistra leaves to make them shine.
Then roll each leaf and staple to hold the roll in place.To
roll, hold the tip, hold it underneath and make a double
curl.Try to staple in a place that wil not be seen.Place the
rolled leaves in the floral foam in a group, around one side of the
bowl, by the short twig end. Have the rolls facing all
different directions for interest
Cut the flax with an arrow head
shape at the cut end, and insert into design under the rolled
leaves. Extend the tip out onto the longer twigs and secure
with floral foam fix or plasticine, well
hidden
Add the vine you found for rhythm
at the shorter twig end, extending it upwards. Make sure the
vine is in proportion to the size of the design and container~
thin vine, small container, thick vine, larger
container.
Add the flowers in a group
beside the rolled leaves, with a bud extending out onto the
twigs long side.Take any leaves off the flowers and bud to get
a smarter line with less clutter.
Add the moss in areas where the
floral foam can be seen, but make it part of the design, rather than
just a cover |
Now look at your work.
Make sure your eye flows
horizontally all the time with your placements adding to this
continuity.
Is your design balanced, or does it feel as if it is
heavy on one side? You make need to add or take out something
to make it better balanced. Is it in scale? Have you used plant material that is
in scale to each other part, or is one part too big or
too small? Have you got contrast, in your plant material for
interest? Light and dark, shiny and dull, rough and
smooth. Does it have rhythm, taking your eyes on a lovely
graceful dance as they move around the
placings?
Red Carnations and shiny green
asphidistra gave the colour contrasts in this simple and
effective design
Similar to the above design, in
this Tricia used red camellias, and thicker twigs, to change
the proportions.
All the greens with a few white
carnations make this a very textural interpretation. Rolled
varigated flax, leucadrendron 'safari sunset', bamboo
twigs and a light bowl make this a
winner!
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Interpretations from this
workshop:
Chris H chose a black, yellow and
white colour scheme for her elegant design.Black twigs were
teamed up with black vine, and stunnning white lilies. Long
shiny leaves contrasted with rolled yellow stripped flax, in a
yellow, white and black bowl to create a stunning
effect.
Elsa L achieved a formal style
with her interpretation using pink, pale green and brown.The
brown flax twigs rough texture was contrasted with the
varigated flax in pink and green and the dainty pink camellias
carried the colour theme through to the low pale green
container.
Enid S has a bolder style, using
proteas as her main flower. Because they are large flowers,
she had to keep all other plant material in proportion, with
bold placements of varigated flax rolled and taken the length
of the twigs.Heavy vine, flax twigs and an inconspicuous
container completed this beautiful piece of
work. |
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