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Horizontal design
with Asymmetrical Balance
Geraldine's workshop design She used a dark container, with pink carnations, dark flax twigs, green/yellow flax, rolled aspihistra and and a heavy hairy vine. It
is a design with the emphasis on
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Horizontal designs can be constructed on a large pot, preferably without handles as these tend to clutter the line. A low trough or low bowl of any shape, a base of interwoven natural twigs or tangle of vine, driftwood, two pots of varying height for split level, or two pots of the same height. There are many other ideas you can start with. For this design choose a bold, shallow round container approximately 26cm (10") diameter or larger, Select a pot that will blend well with your final design You also need a large pinholder, oasis fix or plasticine,green floral foam at least one block that must come over the container, and large heavy wire U bends to hold the sticks down and wire cutters.A well equipped floral art box is essential Your mechanics are really important so take your time so your base is not wobbly, use new oasis and build a solid foundation for your design. Secure your pin cushion to the base of the dish with oasis fix or plasticine.After warming it in your hand, make the fix into a thin worm and circle it around the base of the pin holder.Press it firmly into the centre of the dish. Soak the green oasis in water until it sinks, trim it to fit into your container and then press it down gently onto the pin holder. Make sure it sits firmly, about 2 cms (1") above the rim of the dish. Cut your wire into 15x12cm (5") lengths and bend it into U shapes |
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Material:
Some plant material needs to be visually strong as it loses a lot of its impact when placed horizontally.Suggested plant materials: 10 flax flower sticks or similar, approximately thumb thickness. 6-7 flax leaves More on flax here 6 medium aspidistra leaves moss vine for rhythm Some larger flowers and some buds Roses, carnations, or zinnias or dahlias or other round form.The softer flax species are recommended for this design, rather than tenex, which is a large, hard variety, less easy to roll and manipulate. To make flax more flexible, warm it in your hand, stroking it into the direction you wish it to go.It will become more maliable and you will be able to then curve it in a smooth sweeping loop. |
| The
design:
Cut your flax sticks so they are in proportion to your container. An estimate is ¼ over one side, ¼ is the container width, and ½ out the other side. Look at the designs and you will see the proportions others used.Lay these sticks down over the container and secure with the wire U pins you made. These will go right through flax flower sticks, but if you are using other twigs, they may have to go over the top and into the oasis. Use about 3 pins per stick.You may not need to use all of the twigs and cut them on an angle so that the cut is underneath the twigs when you lay them along the oasis. Put a small amount of cooking oil on a cloth and oil the asphidistra leaves to make them shine. Then roll each leaf and staple to hold the roll in place.To roll, hold the tip, hold it underneath and make a double curl.Try to staple in a place that wil not be seen.Place the rolled leaves in the oasis in a group, around one side of the bowl, by the short twig end. Have the rolls facing all different directions for interest. Cut the flax with an arrow head shape at the cut end, and insert into design under the rolled leaves. Extend the tip out onto the longer twigs and secure with oasis fix or plasticine, well hidden. Add the vine you found for rhythm at the shorter twig end, extending it upwards. Make sure the vine is in proprtion to the size of the design and container~ thin vine, small container, thick vine, larger container. Add the flowers in a group beside the rolled leaves, with a bud extending out onto the twigs long side.Take any leaves off the flowers and bud to get a smarter line with less clutter. Add the moss in areas where the oasis can be seen, but make it part of the design, rather than just a cover. |
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Now look at your work. Make sure your eye flows horizontally all the time with your placements adding to this continuity. Is your design balanced, or does it feel as if it is heavy on one side? You make need to add or take out something to make it better balanced. Is it in scale? Have you used plant material that is in proportion to each other part, or is one part too big or too small? Have you got contrast, in your plant material for interest? Light and dark, shiny and dull, rough and smooth. Does it have rhythm, taking your eyes on a lovely graceful dance as they move around the placings? Is your camera handy? Send Floral Art Mall a photo of your interpretation of this design, we would love to add it to the collection here! 
Red Carnations and shiny green asphidistra gave the colour contrasts in this simple and effective design 
Similar to the above design, in this Tricia used red camellias, and thicker twigs, to change the proportions.
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Interpretations
from this workshop:
Chris
H chose a black, yellow and white colour scheme for her elegant design.Black
twigs were teamed up with black vine, and stunnning white lilies. Long
shiny leaves contrasted with rolled yellow stripped flax, in a yellow,
white and black bowl to create a stunning effect.
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An International Collection of Ideas and Inspirations for All Seasons by Judith Blacklock In this handsome volume, one of the world's leading flower arrangers shows how anyone can create stunning arrangements for every season, every room, and every occasion. Packed with descriptions and step-by-step instructions, Flower Arranging Style is an indispensable resource for beginning and experienced arrangers alike. Click here to buy in Europe and Asia |
This large-format book features 200 color photographs of stunning, sculptural floral arrangements created by famed Dutch floral designer Marcel Wolterinck, Wolterinck's supremely textural arrangements are renowned for their use of unusual elements and shapes: Note urns filled with snakey, just-sprouted bulbs; tulips combined with heads of cotton wool; and flowerpots, cornucopias, and spheres covered in glossy leaves. The book includes commentary in English, French, German, and Dutch. More... |
