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Howard Plank
Howard
Plank is a New Zealand demonstrator, teacher and designer of Floral Art,
who has worked in the great houses of England and Europe.
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Floralartmall.com
33 McDonnell Street
Omokoroa 3021 New Zealand
Phone +64 7 548 2866
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info@floralartmall.com
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This is a floral theatre featuring
big, dramatic stage designs, planned to make an impact, using drapes, lighting
and strong bold plant material. Designer Howard Plank shares his art with
you here. For more big, bold designs check out the CD collection here 
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This
theatre was undertaken by Howard before a full house of floral artists
who had gathered for the Designer of the Year competition in Northland,
New Zealand.
His message
to everyone was,"Do your own thing and if you need to, then ask someone
who knows more than you.
Don't be afraid
of colour
Drapes are
in!" . |
Mechanics:
For most of
his designs, Howard chose a large container that blended with the design,
so it became very much in the background in the finished arrangement. Each
container was filled with
green floral foam, well soaked, and above the rim by at least 2 inches
(5cms) Each design was usually much taller than he was, as you can see
from the photos, and therefore the containers were very stable and heavy,
and put on top of a pedestal, which was later hidden with the drapes.
The drapes
he used were all chosen to complement the design, with plain colours and
he often used two drapes against each other, one shinier or a slightly
different shade than the other.They were all 13 feet (4 metres) long .
Plant Material:
Howard used
the exotic, the tropical, the roadside and the artificial in his eclectic
choices. He seemed to use the bought flowers as the focal points with all
choices based on the floral art principles of texture, form, colour and
rhythm.
He said,"
I don't just buy or pick something because it is gorgeous and I have to
find a place for it. I always know how the design is going to look before
I start and how each piece of plant material is going to be used.This way
you only have to put the foliage or flower in the oasis once!"
Anthuriums
from Madagascar, carnations, gerberas, delphiniums, chrysanthemums, strylitzia,
geraniums were all used and passionfruit flowers and vine in silk.
.
Click
here for a larger picture
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The design:
A low design
to look down into Howard used a black planter with a hole in the bottom,
which he plugged with oasis fix, and then filled with green oasis.A bunch
of vine he found on a beach was put over the side of the container with
skewers stabbed into the oasis to hold it in place.
" One was
so fussy and the other so smooth, they help each other," he said. He then
added burgundy bromeliad flowers cut on a slant on the stems.
"Hold them
where you want them and then add a skewer at that angle,"Howard advised.
He also used palm flowers, red/brown azalea foliage, red/orange gerberas,
and red anthuriums. |
The red Anthuriums
he wired on the bottom of the stems with two skewers to stop them twisting
away from the position he wanted them to be in. One skewer would have twisted.
He used the Anthuriums to create horizontal planes, and then added a large
philodendron leaf that had also had skewers pushed up its stem.
"The leaf
gives texture and movement, as opposed to the straight line of the container,"
he said.
He then added
moss to pick out the colour in the centre of the Anthuriums, adding more
flowers through it, as well as covering the oasis with it.
Little baby
calla lilies were wired together and the stalks flowed down the container,"
to give a feeling of pouring out of the design."
A black drape
was laid and Howard added considerable drama, by lighting the design
from the floor, up into the large top leaf, with a red light.
Click
here for a larger picture |
The
design:
This design
was in a gold ornate urn,filled with oasis and set on a pedestal.
Large strelitzia
leaves and reeds were centered in the back of the oasis and then the design
built from there.
"Have the
back line of your piece vertical and then it puts a spine that remains
straight whatever else you put in."
He then added
ivy to one side and silk passionfruit vine and flower to the other. |
Branches of
orchids, Twirls of dried reeds, white lilies then were added with
orange roses, gerberas and oranges in the central area.
"Don't spread
the materials around too much, and keep the same materials together.
This gives a more contemporary and modern look. Keep the plant material
close for impact"
Work the gold
drapes into the design so they are part of it in a seamless way, and gather
loosely around the base of the pedestal, with large ropes or tassels placed
informally on top.
To add
to the drama of the piece light it up from the floor with a yellow or gold
light set about 2 metres from it, shining upwards. |
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The
design:
For this design
Howard used a pottery container he has borrowed from his host, as she needed
inspiration on what to do with it!
After filling
it with oasis, and placing it on a pedestal, he added bamboo he had cut
from the side of the road. The bamboo was in groupings horizontally and
vertically in a three dimensional way.
Vines had been
woven into two circles and these were laid casually amongst the bamboo. |
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Two large
and long leaves were stroked into casual bends and inserted into the design
to add to the sense of space and rhythm.A small amount of smaller leaved
foliage was added for contrast.
Finally he
added bright orange clyvia flowers in groupings back and front to complete
this simple and striking modern design.
The beauty
of this piece is that it can be made small enough for a table design or
large enough for a huge space, as long as the materials used remain in
proportion. It is a great design for a beginner to try too, requiring material
from around your garden or on the road as Howard did, with a few bought
flowers to give it zing! |
"Don't be afraid of colour," said Howard in this design
called "Colourburst" .He used bird of paradise looking down on groupings
on delphiniums, red carnations, pink heliconias, and lime green chrysanthemums,
and then he draped it in gold and red. To learn about colour in floral design, there is an eductaional CD available exclusive to floralartmall.com. More about this fabulous CD here |
 |
An
International Collection of Ideas and Inspirations for All Seasons by Judith
Blacklock
From an email we received
:
"I recently received Judith's
book and have read it with a fine tooth comb checking for anything that
I can fault. You see, I have so many floral art books that I can
afford to be critical. Well, there is absolutely nothing that
I can fault in this book. It is a gem of information and as
far as I am concerned one of the most important books to include in a Floral
Art library. What is so nice is the fact that she has
included works of Floral Art from around the world for us to appreciate
too. This has not been done, as far as I know, in any other
book and so opens up new horizons as well."
Click
here to buy in USA, Canada and the Pacific,
Click
here to buy in Europe and Asia
in
association with Amazon.com |
Another book that
I would thoroughly recommend is Flora Domestica. This
is a history of English Floral Art compiled by the Trust in England and
good reading too
Keep up the good work.
Sincerely Mary (South Africa)"
Flora Domestica: the History
of Flower Arranging by Mary Rose Blacker
Click
here to buy in Europe and Asia
Click
here to buy in USA, Canada and the Pacific |
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