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Colleen
Fernie is a well respected tutor at the floralartschool.com and also
a qualified Floral Art teacher, judge and demonstrator in New Zealand. She
helped write the definitive text "Flair" for the Floral Art Society of New
Zealand, and has been actively involved in the education of emerging florists
and floral artists for many years.
Colleen is also a regular and valued contributor to the floral design magazine available here
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Subscribe to floral design
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Skeletonised leaves have a beautiful ethereal quality that requires a light touch and empathy for their character.
In this, Master
Floral Artist, Colleen Fernie leads you through the process of capturing
this essence in a free lesson based on a classic horizontal table design. Colleen is a regular contributor to floral design magazine available here
The process of removing the cellulose and exposing the beautiful veins also
means they are often less than perfect with marks and small holes on the
surface. This is the essence of the plant material and part of its fragile
beauty.
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This
design is used to explore the contrasts in the same shaped leaves, the solid
matt of the dried aspidistra versus the transparency of the skeletonised
leaves. It is a classical horizontal design with minimal material for
maximum effect, and a few, well selected leaves will give you that effect.
The design concentrates on horizontal lines with layering and stacking
and a sculptural effect in the middle to give dominance. A limited
colour range and the flat round pink container gives unity to the design.
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The Preparation of the leaves:
Skeletonised leaves:
Accentuate the edge of the skeletonised leaves and add
some life by gluing on rows of bugle beads. This physically also brings down
the edges of the leaf with the weight of the beads. A small row is on the
top right edge and another small row on the bottom left edge. By doing this
you will enhance the veins on the leaves as they become more noticeable,
coming down rather than being on a flat horizontal plane where the veinage
is lost.
Aspidistra Leaves:
Aspidistra is Colleen's favourite leaf as it is so useful. It can be used
green and as it dries becomes interesting often with yellow and orange streaks.
The dried leaf, depending on the light source can be quite apricot
or a greeny brown, giving you an immense amount of control over the end result
of the colour. To dry it naturally just put it in a container without water
and leave it. It may take 6 months to get completely dried, and of course
in that time you can still keep using it for designs.
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The mechanics:
Colleen
put a heavy pin holder in the bottom of the pink vase and inserted
2 bamboo sticks into the pinholder. These rose up past the level of the vase
at the top by at least 2" (5 cm). A small piece of the dry floral foam used
for dry flower designs was then pushed down onto the bamboo sticks.
The design.
The aspidistra
was curled around the foam to create a sculptural effect. These leaves
were rolled and pinned to the floral foam and also layered outwards horizontally
as previously mentioned, with the skeletonised leaves mirroring the aspidistra
in the layering.Colleen not only used the aspidistra leaf in its conventional
way, but you can see from the top photo she also had the stem coming out
on the left to accentuate the line.
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The New York Times 1000 Gardening Questions and Answers
Authoritative, accessible, and engaging, 700-pages based on "Gardeners Q&A."
the enormously popular syndicated column,The book covers flowers,
trees, shrubs, the lawn, vegetables, herbs, fruit, indoor plants, soil, pests,
and troublemakers. It addresses problems and provides answers to difficulties
in every North American zone.
Hundreds of line drawings illustrate the book,
providing botanical identification and demonstrating how-to gardening techniques.
In addition, sidebars throughout supply supplemental information-"Dos and
Don'ts of Deadheading," "Annuals that Beat the Heat," "To Prune or Not to
Prune: The Clematis Question," "Air Layering," "Windowsill Bonsai"-plus quirky
facts, trivia, lore, and myth.
It's big, it's got heft, it's filled to the
brim with information. And it's so lively, it reads like a novel-and belongs
on every gardener's potting bench and bedside table.
Buy, review and read more here
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American Horticultural Society Encyclopedia of Plants and Flowers: The Definitive Practical Guide
The book is divided into three main sections: the plant selector, the plant catalogue
and the plant dictionary,
The plant
selector points gardeners toward flora appropriate to their environmental
or aesthetic needs (e.g., plants that do well in sandy or alkaline soil,
make good windbreaks or have aromatic leaves), while the plant catalogue,
organized into sections by type (perennials, shrubs, bulbs, water plants)
and boasting thousands of photographs, delves into greater detail about the
characteristics of individual species.
Each section is helpfully organized
by seasons of "interest" and plant size or color:
The dictionary lists more than 8,000 plants, from abelia to creeping zinnia.
Buy, review and read more here |
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