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Colleen Fernie
Colleen Fernie is  a well respected tutor at the floralartschool.com and also a qualified Floral Art teacher, judge and demonstrator in New Zealand. She helped write the definitive text "Flair" for the Floral Art Society of New Zealand, and has been actively involved in the education of emerging florists and floral artists for many years.

Colleen is also a regular and valued contributor to the floral design magazine available   here

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Skeletonised leaves have a beautiful ethereal quality that requires a light touch and empathy for their character. In this, Master Floral Artist, Colleen Fernie leads you through the process of capturing this essence in a free lesson based on a classic horizontal table design. Colleen is a regular contributor to floral design magazine available here

 

The process of removing the cellulose and exposing the beautiful veins also means they are often less than perfect with marks and small holes on the surface. This is the essence of the plant material and part of its fragile beauty.
This design is used to explore the contrasts in the same shaped leaves, the solid matt of the dried aspidistra versus the transparency of the skeletonised leaves. It is a classical horizontal design  with minimal material for maximum effect, and a few, well selected leaves will give you that effect. The design concentrates on  horizontal lines with layering and stacking  and a sculptural effect in the middle to give dominance. A limited colour range and the flat round pink container gives unity to the design.
 

The Preparation of the leaves:

Skeletonised leaves:
Accentuate the edge of the skeletonised leaves and add some life by gluing on rows of bugle beads. This physically also brings down the edges of the leaf with the weight of the beads. A small row is on the top right edge and another small row on the bottom left edge. By doing this you will enhance the veins on the leaves as they become more noticeable, coming down rather than being on a flat horizontal plane where the veinage is lost.

Aspidistra Leaves:
Aspidistra is Colleen's favourite leaf as it is so useful. It can be used green and as it dries becomes interesting often with yellow and orange streaks. The dried leaf, depending on the light source  can be quite apricot or a greeny brown, giving you an immense amount of control over the end result of the colour. To dry it naturally just put it in a container without water and leave it. It may take 6 months to get completely dried, and of course in that time you can still keep using it for designs.
The mechanics:
Colleen put a heavy pin holder in the bottom of the  pink vase and inserted 2 bamboo sticks into the pinholder. These rose up past the level of the vase at the top by at least 2" (5 cm). A small piece of the dry floral foam used for dry flower designs was then  pushed down onto the bamboo sticks.

The design.

The aspidistra was curled around the  foam to create a sculptural effect. These leaves were rolled and pinned to the floral foam and also layered outwards horizontally as previously mentioned, with the skeletonised leaves mirroring the aspidistra in the layering.Colleen not only used the aspidistra leaf in its conventional way, but you can see from the top photo she also had the stem coming out on the left to accentuate the line.
 
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