Weaving
grass
As
you can see from the woven sleeve and bodice on the model, stunning effects
can result from woven grass..
Bear
grass ( Xerophyllum tenax), rush like leaves such as typha, lily
grass (Lirope muscari) and for coarser work, New Zealand flax, are all
possibilities.
Method
Take several
pieces of the grass you have chosen, and put then side by side onto the
sticky side of tape. When you have them to the width you want, put another
strip of tape on top of the stems.
Take the end strand from one
side and weave it in and out across the grass. When you reach the other
side, bend the strand over and weave back the other way.
If you want a curve on one side
of your weaving take the next strand from the same side. If you want an
edge that tapers on each side, tale the next strand for the opposite side.
If you need to add length to
a strand just add a new one on top of the old and keep going. Keep the
weaving tight up against the last row, and this will give a tight, strong
weave.
This is the basis for your own
creativity. You can join your finished weaving into a cone by sewing the
two sides together, perhaps with wire, raffia or more grass, or sew
ii into a curve, a circle etc. The material is very pliable and by
pulling an area tighter, or loosening the weave, you can achieve
wonderful shapes .
But wait there is more! Learn how to plait, curl, weave, decorate and manipulate leaves in ways you have never thought of with the top selling CD 'Manipulating Leaves" available here
Further Recommended Reading
Techniques with frames,
over binding, plaiting palms, weaving grass, covered containers,
and paint effects are all covered in just one section of this incredible
book!
Order it today
here and learn, create and be inspired.
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Inspiration from
The Melbourne International Flower and Garden Show, Australia. April 2001,
as the young florists look into the future with brilliant floral
art designs on models. Final year RMIT students have fused flowers and
fashion to produce garments of beauty and originality. Their creativity
and imagination is limitless. Each exquisite design incorporates fabric,
flowers and foliage and highlights how fashion and flowers form an intrinsic
part of our lives
Do you want to see the show in 2004, 2005, 2006? Enjoy full, fabulous coverage of the best of floral design at the Melbourne Flower Show with a subscription to floral design magazine, available here.
Click on each main
picture to see the original photo in a large form
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The block look
was strong at the show, with very symmetrical designs, blocks of colour
and layering of the flowers. Pictured
is a cloak like design, the front in yellow, and the back in red. Chrysanthemums
and dahlias were combined with moss for this effect, reminiscent
of the floral pillows and cushions used in Europe. |
The
vibrancy, the colour, the rhythm of this masterpiece is wonderful as the
florist combined the hot colours from the colour wheel of red anthirriums,
cerise dahlias, and dark pink tulips, then straight across the colour wheel
to the complementary colour green, in lime with the seed heeds of the agapanthus.
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Add
the deep purple from the fabric , some shiny balls around the hem,
golden slippers from painted leaf and this lady is ready to tango! This
design is a wonderful reminder not to be scared of colour! |
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