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Ngaire Clarke
In 2001 Ngaire was the Demonstration
Convenor and Co-Presenter for the Floral Theatre, "Music and Dance" at
the FASNZ AGM in Tauranga, New Zealand. She was also the Touring Tutor
for the Nelson/Marlborough, Canterbury, Hawkes Bay Areas of New Zealand.
She has worked throughout
New Zealand tutoring and demonstrating for several years, and her work
has been featured in the New Zealand Floral Art Society publications and
the English "Flower Arranger".
Ngaire adds,"When Gregor
Lersch from Germany demonstrated in Auckland in 1989 I decided this was
the way to work with flowers - free, bold and beautiful. Thoroughly inspired
by the European design styles I was very fortunate to be able to attend
the Floral Art School of Mme Monique Gautier - Ecole Francaise de Decoration
Florale, in Paris, in 1995. The French and European designs have been the
basis of the workshops I have been invited to teach throughout New Zealand.
The French attitude to plant materials "let us make these beautiful flowers
even more beautiful" , the creative approach and inspired themes have been
enthusiastically received everywhere in New Zealand's floral art world."
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This is the second stunning
design Ngaire demonstrated for the Warkworth Floral Art Club, north of
Auckland, in New Zealand.One other has also been featured in floralartmall.com here
This table design features French inspired pinned leaves with
"dancing flowers" placed at different levels, dimensions and directions. Ngaire's fabulous latest CD teaching you the Elements and Principles of Floral Design is available here

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Pictures
of Lilies
For
this design Ngaire used a floral stand,. It has an s-shaped base and
into the base the long rod is fitted.
This
base and rod, Ngaire wrapped in flax, striped down into thin, long
strips, while it was still green, As you can see in the photo on the left,
it gives a beautiful stripped effect and will dry to a series of shades
and tones of light brown. This is a great idea to cover your stand to make
it part of your design. Experiment with flaxes, reeds and grasses to see
what will work, and what looks effective.
Ngaire
also gathered 2 bunches of reeds from the roadside, some aspidistra
leaves, white lilies, a few gerberas and a small amount of lime hydrangeas.
The
reeds she placed over welding rod which is quite light and pliable. The
reeds were attached to the rod with copper or gold effect wire wound
around the length evenly. At the bottom of the bunch, she attached
with wire,some sturdy twigs to use as pins to push the reed bunches into
the floral foam. |
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At
the top of the stand, Ngaire attached a platform which was designed to
fit on top of the rod and then the floral foam in a cage was attached to
that, at an angle. The angle will make your design more interesting and
not so 'square on'. Ngaire's platform has holes in it, to make it easy
to attach the cage filled with floral foam, using florist's wire.
The
first bunch of reeds, was then pinned across the floral foam, and draped
down and around the stand to end near the bottom. The bottom
of the reeds was at the bottom of the stand in a tight bunch, opening
out as it went upwards to the cage, and across it. |
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Warm
the leaves by stroking them in your palm. "It's nice to get friendly
with your plant materials"' says Ngaire. Pin the first leaf into the floral
foam with florist pins, then bend it over and anchor again
as you curve it around the cage. "Pin across the vein of the leaf," says
Ngaire,"as it helps to anchor it, and hold each leaf to see where
it should go." "If you really like something do it again. Repetition builds rhythm just as the S shape of the stand base is repeated in the swirl on top, and the
reeds are repeated through the design.". |
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Aspidistra
leaves are great to use and dry beautfully , holding their shape
as they dry. Cordyline is also another leaf Ngaire likes to use and canna
leaves can also work.Once again, keep your eyes open for what will work
in your area.
Once
you have covered the floral foam with the rolled leaves, place two down,
following the line of the reeds.Add the lemon lilies, with stems cut short,
into the gaps between the leaves.
Watch
out for the stamens, as they will stain if they get on your clothes. Ngaire says,"A handy hint for stains from lily stamen : Try this : Lily stamen stains can often be faded
out by placing garment in the sunshine for a day or two." |
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Add
the orange gerberas, making sure you have more lilies than gerberas, and
more flowers on one side than the other to give an asymetrical design.
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Place the flowers to hide any pins showing from pinning the leaves,
and tuck tiny bits of hydrangea in to cover any bits of floral foam
that are showing.
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Now add
the other bundle of reeds to the top, as a twirl above the design, to give
space and height.
ok
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The
Art of Floral Design
by
Norah T. Hunter
It is a textbook style book,
so it is technical. If you are interested in retail floristry then you
will find it to be a great book. If you are a hobbyist or are looking for
a book to give you ideas for arrangements to place around the house this
book maybe more technical than you want. The practical knowledge she teaches
about flower names, running a floral business, care and handling, etc.
are invaluable to anyone working in the floral industry. The book also
contains an excellent appendix of flower and foliage names with illustrations
.More... |
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Flowers:
The Book of Floral Design
by
Malcolm Hillier,
This book is full of
beautiful photos of fabulous arrangements. The author begins the book with
a history of flower arranging, and goes on to discuss color, glassware
choices, and necessary materials. Has excellent information on conditioning,
and an A-Z guide to plant materials. An excellent reference.
More |
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