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Your tutor Colleen Fernie
The teacher in this lesson is the late Colleen
Fernie who was a well respected contributor to 'floral
design' magazine and also a much loved Floral Art teacher,
judge and demonstrator in New Zealand. She helped write the
definitive text "Flair" for the Floral Art Society of New
Zealand, and was actively and passionately involved in the education of
emerging florists and floral artists for many
years.
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BYZANTINE
CONE... Colleen Fernie takes you through the
steps needed to build a stylised cone
with its origins in the 5th century, at the
time of the Byzantine Empire. Long slim
tapering cones of foliage were constructed and placed
in urns or chalices. They were decorated with fruits,
lilies, daisies, carnations, pine and cypress. It is
from these beginnings we now have more sophisticated
cones made as Christmas trees, and other
celebratory icons, all inspired by the Byzantine
period Add
piles of ribbons in the colour scheme of the
event, and let them meander along a table
and you have the start of an idea for a
contemporary wedding table.
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Have a
go! Mechanics: Start by
finding an urn shaped container that is in
proportion to the size of the cone you wish to
make. Start with a firm mix of plaster of
paris and water or similar product that will set
hard, and pour into the urn. Place a piece of thin
dowel at your chosen height in the centre of
the urn, propping it up temporarily if
necessary, and so when all the mixture
is set hard the dowel is stuck firmly in
place.
Spray the urn gold or green , and
push a block of foam (you may need 2) or
cone shape over the centre of the dowel. If you
use a block you will need to shape it into a cone.
These are modern day mechanics, as
originally sphagnum moss would have been bound
together with natural fibre such as string, to
make the shape. Modern mechanics help to achieve
better and faster results and if people can't see
the mechanics it doesn't really matter.
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The design Small pieces of fairly
dense conifer are placed all over the cone,
keeping the cone shape tall and elegant. Clip it
if necessary
Select flower heads that are
in the jewel colours of the period, in this case
red, yellow and orange. Daisies, wild flowers.
carnations, and roses are all good
choices.
Establish a spiral with one
row of your flowers, in this case orange wild
flowers were used. It is easier if you put your
cone on a turntable to do this, so you can turn
and get an even spiral as you place the flowers.
If the stems are too soft to push into the
floral foam, you may have to wire them to
create a stiffer stem.
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Strengthen the spiral by
adding the other flowers , in this case
yellow wild daisies and red
carnations.
Collect artificial or dried
fruit, once again picking sizes in proportion to
the cone and wire these to a skewer or
toothpick. Then add them at random amongst the
flowers.
Finally, add three loosely
entwined ribbons. In this design they are blue,
purple and red, reflecting the rich and regal
colours of the period. The ribbons follow the
line of the spiral and float above the flowers,
to be secured neatly with florist pins top and
bottom.
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Traditional Designs
EMAG: Colleen Fernie specialised in period flower arranging for some time and created a series of photgraphs, sketches and written lessons explaining how to create the classic traditional flower arranging shapes such as symmetrical, assymmetrical, hogarth curve, vertical, horizontal and crescent. This downloaded Emag are those 10 lessons!
Review...
$US 10.00 as a Downloaded pdf file
RRP $33.95
ARRANGING WITH LILIES
EMAG:This edition of floral design magazine is all about arranging Lilies and along the way you will see how to create beautiful, traditional flower arrangements spotted at the Morrinsville Floral Festival in New Zealand. Review...
$US 8.00 Downloaded
RRP $10.60
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