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Ngaire Clarke pictured in front of the Philadelphus she uses in this design 
In 2001 Ngaire was the Demonstration Convenor and Co-Presenter for the Floral Theatre, "Music and Dance" at the FASNZ AGM in Tauranga, New Zealand. She was also the Touring Tutor for the Nelson/Marlborough, Canterbury, Hawkes Bay Areas of New Zealand.
She has worked throughout New Zealand tutoring and demonstrating for several years, and her work has been featured in the New Zealand Floral Art Society publications and the English "Flower Arranger".
Ngaire adds,"When Gregor Lersch from Germany demonstrated in Auckland in 1989 I decided this was the way to work with flowers - free, bold and beautiful. Thoroughly inspired by the European design styles I was very fortunate to be able to attend the Floral Art School of Mme Monique Gautier - Ecole Francaise de Decoration Florale, in Paris, in 1995. The French and European designs have been the basis of the workshops I have been invited to teach throughout New Zealand. The French attitude to plant materials "let us make these beautiful flowers even more beautiful" , the creative approach and inspired themes have been enthusiastically received everywhere in New Zealand's floral art world."
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Paper Twist, an essential
Use it to attach stems to  other stems as Ngaire has, phials to plant material,  vines to each other, or plant material to stands.
Make it bold or hide it with 2 colours: moss (green) and natural (light brown)
Wind it into coils or corkscrews, use it to bind, decorate it with copper wire, the ideas are limitless!


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Tricia was lucky enough to  catch up with Ngaire Clarke during a demonstration  she did for the Warkworth Floral Art Club, north of Auckland, in New Zealand.  Ngaire  did several other stunning floral designs we will feature  in the future. This table design features  the innovative use of Philadelphus,  a way to reuse a container you hate which has a great shape, and  just a few carefully placed flowers. Have Ngaire's expertise at your fingertips with her educational , easy to follow CD with 12 lessons on the Elements and Principles of floral design, plus the theory explained in understandable terms. Find it here.


The completed design.
Vines in a Vase

First find a vase that has a lovely shape. Ngaire found hers in a junk shop for $2,  all shiny and covered with flowers. Then assemble tissue paper, and wall paper paste. Dip the tissue in the paste and cover the vase with it, making a paper mache that covers over the vase completely. The tissue gives a finer texture than newspaper, so if you want a bigger, bolder  texture, use  that instead.

When it is dry,  paint the container in the colour of your choice. "Work quickly" says Ngaire, "don't fuss, and it's fun" Ngaire touched up her container with spray paint, "but  talk to someone as you do it, "she says, "so you don't get too meticulous."


When you have the colour you like let it dry and then add the mechanics

Find a  container that will fit inside the rim of the vase snugly and extends into the vase for  at least 100 mm . Ngaire saves all sorts of plastic containers from her  groceries just for this purpose.  Soak green floral foam if you are using fresh flowers, and then put into the container, with  the foam extending slightly above the rim.  Put the container into the vase. Add chicken wire over the top of the foam and rim.

Prepare your stem by cutting it while it is new and green, shaping it into a circular shape in lengths  and leave to "set" in that shape. When it has dried a little, use paper twist wire (available here) to join each vine to the one beside it with a gap between. Ngaire used the new season's growth from the Philadelphus (click here for more information) and she loves the way the bark comes off as it dries leaving a bone colour underneath.

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Add the first set of vines vertically to give the design height. Normal dimensions to decide on the length of the Philodelphus stems are: the container is 1/3  the vertical line is 2/3 . Then add  one of the curved Philodelphus sets  from the base of the vase up into the vertical set. Finally add another curved set from the top of the vase to  almost the top of the vertical set. Secure with paper twist if necessary.

Ngaire then added 3 heliconias around the design followed by big red gerberas. "If you place them full face," says Ngaire,"They will be eye catching so try to place them  all on different angles to give the design dimension, with one near  the top". Place the others  as you find pleasing.
Now add 2 Aralia leaves, cut very short, into the floral foam , a few bracts of  leucodendrum, and  some hypericum berries. These will hide the floral foam at the base and complete the design. 

The Art of Floral Design
by Norah T. Hunter 
It is a textbook style book, so it is technical. If you are interested in retail floristry then you will find it to be a great book. If you are a hobbyist or are looking for a book to give you ideas for arrangements to place around the house this book maybe more technical than you want. The practical knowledge she teaches about flower names, running a floral business, care and handling, etc. are invaluable to anyone working in the floral industry. The book also contains an excellent appendix of flower and foliage names with illustrations .More...

Flowers: The Book of Floral Design 
by Malcolm Hillier,

This book is  full of beautiful photos of fabulous arrangements. The author begins the book with a history of flower arranging, and goes on to discuss color, glassware choices, and necessary  materials. Has excellent information on conditioning,and an A-Z guide to plant materials. An  excellent reference.
More